Writing
2025
2024
- The Tempered Flesh of Exoskeletons (for Heinz Riegler’s Caress exhibition), BB15, Linz, December 2024
- Kim Gordon Object Of Projection, Broadsheet as part of Ohm 2024, February 2024
- ‘The Art of Neu!’ Lawrence English interviews Michael Rother, Cyclic Defrost, February 2024
- The Ever Present : Remembering Phill Niblock, The Quietus, January 2024
2023
- Remembering Steve Roden, The Quietus, September 2023
- Marginal Consort Essay for St. Elisabeth Kirche, 901 Editions, June 2023
2022
- Approaching Grey, The Quietus, June 2022
- 5 Questions with Tina Havelock Stevens, The Substation, March 2022
- Listening to everything: how sound reveals an unseen world, The Conversation, February 2022
- What’s an LRAD? Explaining the ‘sonic weapons’ police use for crowd control and communication, The Conversation, February 2022
2021
2020
- Voices, hearts and hands – how the powerful sounds of protest have changed over time, The Conversation, June 2020
- In Conversation with Terre Thaemlitz, March 2020
2019
- Hard Line Listening: Sound and Audition Within the Films of Peter Strickland, Senses of Cinema, July 2019
- Merzbow, Open Frame, June 2019
2018
- Lawrence English’s Rough Guide to Merzbow, Self-Titled Magazine, November 2018
- The Resonate: Reflecting on the work of avant-garde pioneer Glenn Branca, FACT Magazine, May 2018
- In Conversation With James Parker, April 2018
- A memorial to my friend Paul Clipson (love you, Paul!), Tiny Mix Tapes, February 2018
- Ambient Music At 40, FACT Magazine, February 2018
2017
- A Memory of Almost Nothing: Luc Ferrari’s Listening During Presque Rien No.1, Leonardo Music Journal, December 2017
- Relational Listening: A Politics of Perception, Contemporary Music Review, November 2017
- New Futuring: Mined From The Past, XLR8R, April 2017
- In conversation with William Basinski, Tiny Mix Tapes, March 2017
2016
- The Sound of Fear, The Conversation, October 2016
- Norman Westberg (Swans), Tiny Mix Tapes, June 2016
2014
2011