Recorded in the later half of 2003, this composition, falling just shy of 20 minutes is composed largely of field recordings. The only processing is via EQ and pitch shifting. The work is an abstracted impressionist sound portrait, sketching out the isolated soundscapes that exist, for the most part unheard, in these forgotten realms.
This project was supported by Arts Queensland.
Reviews:
'extraordinarily gorgeous modern music concréte'
Signal to Noise
